Trashion, ReFashion

So, for a few months now I've been playing with the idea, working on the idea and sometimes getting somewhere with it. I planned this piece out last semester actually and then did a couple of thing's wrong. Anyway, the idea was to use a great deal of the trash yarn/cord that I have. Unfortunately I spaced out on that when I was setting up for this project. However, all things considered it turned out fairly well. ;)

The above are some images of the top modeled by my friend Clara. ;) The top is made out of cotton and wool, the pleats down the front are plastic (the same plastic that's used for the skirt bellow). The top is all of one piece at the moment, depending on who's going to model it for the show, I might have to make it a bit smaller. We'll see. ;) So that was all done end of the semester last year. Over the break I started working on the monstrosity bellow.

The skirt is made out of trash plastic and was going to be all one layer. However, the single layer was not poofy enough for what I wanted. So I ended up fashioning a fathered under-layer. You can see the under-layer as modeled by myself at the end of the collage. The lamp shade model is wearing the entirety of the thing as it is right now. I plan on fashioning an adjustable waist band of some sort today. Vanishes.

What?

I've been trying to figure out the last few days, why certain images appeal to me. Why do I find one more evocative then the other? What is the element that hooks me and draws me in? I'm not sure what it is, but usually it's because I read an emotional content into it. An emotional content that feels truly expressed in some way. Though, in truth I'm not rightly sure how to show that or to put it into words in other ways.

The reason for attempting to do this, is linked to another problem. I have not posted images of this work, but I've been working in hanging garment forms in my textiles work of late. In creating narratives between these disembodies garments that become representation of people, stories and lives. So in trying to figure out what appeals to me in an image, I'm hoping to try and better express that feeling or thought in the scenes that I create with these garment forms.

I'm also working with pairing specific garments with silhouettes on the walls. Where in this gets a little harder because you have less and more to work with. The trick now is figuring out what the relationship between the silhouette and the garment is. Does it change based on objects and arrangement? Does it always contain some of the same inherent properties? What is the story, image, or emotion that I wish to convey?

To give you some examples, here are a few images of some of the pieces that I worked on last semester. Though the locations are not exactly ideal for displaying these garments without background interference, it is what it is. :)

For some reason I'm having a hard time figuring this out. I was hoping that writing this might help but I still have no answers. Hahhaa. Alright enough wasting time on the computer. Cheers. vanishes